Clerks II Review
“Amidst a sea full of summer blockbuster’s, this tugboat caused the most waves on my shores. Hell yes I wrote that.”
Clerks define’s my feelings toward my two jobs at customer service positions and was full of the angst and aggrevation that come with dealing with some of the dumbest people. As a fan of all of Smith’s film’s to date, including Jersey Girl, I was hoping that Clerks II had some of that old magic towards my still harbored emotions on the working class crap. Smith generally has moved from very personal movies to very “fun” movies. Those personal testaments can be found in Chasing Amy and Jersey Girl whereas the latter is in Mallrats and Jay and Silent Bob Strike Back. Smith found a medium for his brilliant, raw, on-screen prose in Clerks and Dogma. He has crossed over once again in Clerks II to not make only a fun, but touching addition to his collection.
Clerks II picks up where the first one left off, only to find Randall(Jeff Anderson) and Dante (Brian O’Halloran) relocated. It has been explained to me that my synopsises of the movies can sometimes hamper my reviews, so I shall thwart there, albeit to see the same shennanigans and hijinks occur in a different setting. What Smith is able to do with his dynamic duo is not only make likeable, relatable characters, but to use them as his soapbox to the uniform unkown of life after high-school and even college. They serve as images for what everyone strives not to be like, yet find themselves struggling to find the difference. It’s a pretty common theme, but Smith tackles the topic head on once again.
I was surprised this time by how much better the acting was. Say what you want, but the acting in the first movie was pretty wooden. Can’t blame them of course, as they were local actors, but they definetely come around a little bit more this time, specifically Dante. His scenes with Rosario Dawson were some of Smith’s most refreshing works to date. Randall is the backbone to this puppy, with non-stop potent quotables and enough smart-ass to go around twice. The cameos are hillarious; Affleck and Lee had me in shambles. Newcomer Elias (Trevor Fehrman) was also a nice touch. Rosario Dawson was cast perfectly here. Period. And Jason Mewes…can’t see him doing anything else. I also liked how Smith doesn’t depend on the viewer to know his universe to get his jokes, although it certainly helps. This isn’t just a fan film; it’s an everyman film.
Smith’s magic isn’t in his filming style or the shots he takes, but the stories he creates. That is why his movies are endearing: They don’t show the viewer anything astonishingly new, but rather what we want to see above all the fireworks and glamour. This movie has a heart that beats on it’s own backed with incredible comic writing. I can’t find much I didn’t like with this as it was a suitable and outstanding sequel. My only qualms can be in the “gift” for Dante being taken a bit far and some spotty scenes where the emotions and dialogue seemed force(a la roof dance scene). Maybe trying to tug my heart strings makes you miss a note; but entirely forgiveable. Silent Bob has certainly made something here worth talking about. This movie gets 9 Bones out of 10, due to it’s soul, charm and hillarity.
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